The erasure of Quvenzhané’s name is an attempt, consciously or unconsciously, to step around and contain her blackness. Yes, sometimes black people have names that are difficult to pronounce. There aren’t many people of European descent named Shaniqua or Jamal. Names are as big a cultural marker as brown skin and kinky hair, and there has long been routine backlash against both of those things (see: perms, skin bleaching creams, etc.). This insistence on not using Quvenzhané’s name is an extension of that “why aren’t you white?” backlash.
Calling Quvenzhané “Little Q” is a lazy way to keep from having to deal with the discomfort that race causes. It is easier to be colorblind, to simply turn a blind eye to the differences that have torn this nation apart for centuries than it is to wade through those choppy waters. And Quvenzhané’s very existence is enough to make the societal majority uncomfortable. She is talented, successful, beautiful, happy, loved, and adored–all things that many people don’t figure that little black girls with “black” names could, or should, be. Their answer? Let’s make her more palatable. If she insists on not fitting the mold of the ghetto hoodrat associated with women with “urban” names, let’s take her own urban name away from her.
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me, “Her Name Is NOT Little Q, Motherfuckers.”
at least that’s what i would have called it if i could have. this is from my latest at Uptown Magazine, “The Oscars, Quvenzhane and the C-Word.” check it out!
(via brokeymcpoverty)
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since so many of this blog’s followers are black and female, i thought i’d share this piece i wrote about Hollywood’s treatment and disregard of Quvenzhane Wallis’ name. check it out if you can!
(via naturalhairproblems)